week 3

The two performances--Ratna Ayu and Gamelan Bali Nyepi--contrast in many different ways, from the setting to the costume to the type of music being played. These performances seem to serve different musical purposes and the elements of the performance contribute to this notion.

The Ratna Ayu performance is held indoors, perhaps in a performing arts theater creating a "performance" environment. The dancers and musicians are clearly distanced from the audience from the presence of the stage--a physical barrier that distinguishes who is watching from who is performing. The movements of the dancers are slow, flowy movements. The music accompanies their body movements through the droning timbre and soft sounds of an instrument comparable to the xylophone. The instruments are neatly structured on the side of the stages with like instruments grouped together. It is a very organized performance highlighting the cultural beauty of the people. The elaborate clothing enhances the rich cultural aspect as well; the headress is made of a vivid golden color while the center dancer wears a long ornate dress.

In contrast, the Gamelan Bali Nyepi is located in an outside setting, making the atmosphere much more laid back and free. Likewise, the performers seem less tense compared to the performers in the Ratna Ayu performance. These people appear to playing for the enjoyment of themselves rather than a designated audience. Their attire is very laidback--a loose white outfit. In junction with the casual environment, the music played is very upbeat and lively; it is music that makes people want to dance. The structure of the musicians is much less organized. People are scattered on the floor; the drums (membranophones) are next to the idiophones in no clear order. The people's facial expressions are much more relaxed. This performance seems much more spontaneous and exhibits the vibrant nature of the people.